Broadway composer and lyricist Jerry Herman sells Palm Springs house for $1.1 million – Los Angeles Times

The Mediterranean-style home includes five bedrooms and six bathrooms in its 5,546 square feet.

By Lauren Beale, Los Angeles Time

2:12 PM PDT, July 30, 2012

Hello, new owner. Broadway composer and lyricist Jerry Herman has sold his house in Palm Springs for $ 1.1 million.

The Mediterranean-style home includes five bedrooms and six bathrooms in its 5,546 square feet. Water features on the half-acre site include a 61-foot-long lap pool, an in-ground spa and waterfalls.

Herman, 81, won Tony Awards for best composer and lyricist for “Hello, Dolly!” in 1964 and for original score for “La Cage aux Folles” in 1984. He has moved to Florida.

Public records show he bought the house new in 2004 for $ 1.5 million.

Brady Sandahl of HOM Real Estate Group in Palm Springs and Ron de Salvo of Coldwell Banker’s Beverly Hills North office were the listing agents. Charlie Stewart of Terra Asset Management in Palm Springs represented the buyer.

lauren.beale@latimes.com

Follow me on Twitter @LATHotProperty


Dare to live in a haunted Dak bungalow? – Times of India

(Dare to live in a haunted…)

A New York-based Indian writer of a new book tells Dhamini Ratnam why India’s circuit houses are still known for furious ghosts and delicious chicken.

As a child whose mother was a former government officer, Rajika Bhandari spent a fair amount of time in dak bungalows, or circuit houses. In her soonto-release book, Dak Bungalows and Circuit Houses, the 41-year-old social science researcher based in New York, revisits them to unearth the folklore that continues to persist about them. Excerpts:
How did you go about your research?
My interest was sparked in 2005, on a visit to Sardarpur in Madhya Pradesh, where my mother and I stayed at a Dak bungalow. I realised very little literature was available on these buildings that had existed since the 1840s. In 2007, I visited 20 bungalows that the PWD helped me identify, from the hill stations of Kasauli in Himachal Pradesh to Munnar in Kerala. The other, equally significant bit of research was undertaken over several months at the excellent archives of the New York Public Library, where I read an exhaustive array of original travelogues of British men and women who lived and travelled in India from the 1800s through Independence.
Why are Dak bungalows such a trove of ghost stories? Was this a way for the British to ‘storify’ the threat they felt in an alien, and often, inhospitable land?
The British brought with them their own Anglo-Saxon folklore of fairies and witches, which melded with Indian paranormal elements like the figure of the chudail. Dak bungalows, with their remote location, often atop an isolated hill, provided the perfect setting for wild imaginings. Further, India was a strange land for the earlier generations of the British who lived here. Ascribing many of its oddities and mysteries to inexplicable, supernatural phenomena perhaps helped them make sense of it. These buildings were often thought to harbour ghosts also because many British soldiers, women and children died in Dak bungalows during the Revolt of 1857. Still others died of cholera or malaria. Like the bungalows, their stories have persisted and form part of present-day folklore. For instance, the Circuit House at Damoh in MP, which dates back to 1899, has an imposing and brooding quality to it. The bungalow is apparently still haunted, according to AS Kureishi whose father, Abdul Salim Khan, used to be the khansama there. The story goes: The spirit of a man and a woman haunted the site of the Circuit House even before it was built. The spirits did not take kindly to occupants of a different religion and would try and scare away British visitors: objects would fly around; pieces of furniture would march across the room. Any visitors who attempted to resist the ghosts would meet their end, as was the case with the Douglas family. General Douglas shot his wife and two children for no apparent reason, while staying there. Room 1 of the Damoh Circuit House was where most of these tragedies occurred, and continues to be haunted, it is believed. Another of its dubious distinctions includes it’s ability to attract those with suicidal intentions. The bungalow staff reported that dead bodies can often be found hanging from the trees in the forested area surrounding it.
Did you face a supernatural encounter?
Not directly, but I was struck by the eerie and dark atmosphere of the Damoh Circuit House. Something about its design, and the heavy stone architecture made it seem ominous. Of all the Dak bungalows I visited, I know that I will not be returning to stay in this one!


Repeat restorer Diane Keaton buys practically new Palisades home – Los Angeles Times

Actress Diane Keaton arrives at the premiere of “Darling Companion”… (Valerie Macon / Getty Images )

Actress Diane Keaton doesn’t seem to be playing to type these days. The serial home renovator with a passion for preservation has bought a house in Pacific Palisades that is practically new.

Plus, the 2009 home is Cape Cod-influenced rather than the older Spanish style that Keaton frequently favors. Her 2007 art and architecture book “California Romantica: Spanish Colonial and Mission-Style Houses” looked at the features of that style.

The 7,800-square-foot house she just purchased for $ 5.6 million includes a family room, a temperature-controlled wine room, a theater, a gym, two wet bars, an ocean-view roof deck, six bedrooms and nine bathrooms on three levels. Among outdoor amenities are a swimming pool with spa, an outside living room and a fireplace.

Keaton, 66, won an Oscar as best actress for “Annie Hall” (1977). This year she stars in the films “Darling Companion” and “The Wedding,” due for October release. “Diane Keaton: House,” a book about buildings repurposed as residences, will be out this fall.

The Pacific Palisades property came on the market in March at $ 5.75 million.

David Kelmenson of Sotheby’s Pacific Palisades office was the listing agent. Aileen Comora and Paul Lester of the Agency in Beverly Hills represented Keaton.

‘Death’ star parting with Malibu?

” ‘Til Death” star Brad Garrett has put his ocean-view place in Malibu up for sale at $ 10.995 million.

The Spanish-style villa, built in 2005, features travertine and wood flooring, vaulted ceilings and leaded and stained glass windows. The nearly 6,000 square feet of living space includes an office, a theater, five bedrooms and 51/2 bathrooms. The property of close to an acre contains expansive patios leading to a swimming pool with spa and a pair of two-car garages.

Garrett, 52, won three Emmys for his supporting role on “Everybody Loves Raymond” (1996-2005). He will star in the upcoming comedy series “How to Live With Your Parents for the Rest of Your Life.”

Public records show he bought the property in 2007 for $ 8.815 million.

Bruce Mibach and Christopher Cortazzo of Coldwell Banker’s Malibu West office are the listing agents.

Bachelor pad sale closes before vows

Making it just under the wire for his marriage to actress Drew Barrymore, art consultant William Kopelman sold his bachelor pad in West Hollywood for $ 885,000.

Built in 2004, the two-bedroom, two-bathroom home had been featured five years ago in Elle Decor. The 1,548 square feet of loft space includes an upper-level office looking down on the double-height living room, white high-gloss floors and lacquer cabinetry, a built-in bar that closes up inside a wall and large windows.

Public records show Kopelman, the son of Chanel’s Arie Kopelman, bought the property in 2004 for $ 755,000.

Kopelman closed escrow the day before his June wedding at Barrymore’s Montecito home. The buyer was Jason Ehrenpreis, a commercial real estate broker.

Barry Fox of Sotheby’s International Realty was the listing agent. Ron de Salvo of Coldwell Banker represented the buyer.

Ending his run at place in the hills

Just in time for the 20th anniversary of “Melrose Place,” cast member Grant Show has put his house in the Hollywood Hills on the market at $ 1.825 million.

The Spanish-style home, built in 1927, needed extensive repairs when Show bought it. One of the major changes the do-it-yourselfer made was to rearrange the floor plan. When originally built, the front door of the 3,483-square-foot home opened to a foyer that led to the master bedroom, a bathroom and a large den or entertainment room.


Discovering Dhun-Heta bungalow in Panchgani – Times of India

Gitanjali Chandrasekharan, Mumbai Mirror Jul 22, 2012, 12.34PM IST

(The Dhun-Heta bungalow…)

Travel books tell you to visit Panchgani for a view of Asia’s second longest plateau. We say, do it to live in a home that holds stories from 1914

Discovering Dhun-Heta (pronounced dh-a-n) was a matter of chance. I had wanted to visit Panchgani after I watched a television serial in which actor Liliput played a scary clown, and was, I believe, filmed at this hill station. The other thing I had wanted to do was move into a heritage house ever since I had begun researching them.

At Rs 1,000 per person per night — breakfast, tea/coffee/ and a fruit basket included — the bungalow that stands on Tableland Road was mine for three days. It was an opportunity I would have been a fool to miss.

I took the 6 am bus from Mumbai to Panchgani and, six hours later, I found myself standing at a gate, half a kilometre outside the town limit. It is a fiveminute uphill walk from the market to Dhun-Heta, and chances are, I would have missed the gate ensconced between two properties that dominated the scene. Fortunately, I called Mr Dube, the guard, and there he was, standing at the gate, waving at me.

Although I had seen photos of the home on owner Heta Pandit’s website (www.stayindia.com), I was not prepared for the pure ecstasy of a vacation I had bought myself. It was a nearly 200-metre long pathway flanked by tall trees and grass, freshly renewed by the rains, that led to the home. The property — there are a total of three houses, though Dhun-Heta is the only one that’s heritage — is painted in two dominant colours. The cottage stands coloured in brick red against green foliage. Potted plants and a black and white cat lent the house the look of a home, although it has been hosting travellers for 10 years.

The bungalow was built in 1914 by an Englishman named Henry Couldrey, in typical colonial style. Abbas Ali, the Nawab of Wai, bought it over and later sold it to a gentleman from Pune. Heta’s mother Manijeh Patell bought it on April 20, 1942, from the then owners, and renamed it after her children.

Dhun-Heta, a four-bedroom structure, houses a dining hall and a living room that by Mumbai standards could be entire apartments in themselves. It has a windowed verandah and sofas so comfortable, all I wanted to do was sink into one with a book and copious cups of tea. And that’s exactly what I did for the first day. After years of envying lucky Bandra and South Mumbai residents who lived in homes with history, I was finally living that life.

The entrance I had used was not the main doorway. The original entrance was at the verandah, with 16 steps leading up to the door. Pandit said the entry to the house was switched after visitors complained of knee pain. According to the original layout, the kitchen stood outside, with staff bringing food to the pantry (which is where the current kitchen stands) before serving it in lovely porcelain. These days, Sharadji mans the kitchen. He’s the one to call if you’d like a plate of hot poha or upma for breakfast. And he doesn’t tire of serving you endless cups of tea either.

As I moved from the verandah to the living room and then the dining area, I saw pieces of history lying around. The house still retains its original clay tiles, hexagonal in shape and probably the cheapest available option then.


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